sound. at the Schindler House
Saturday, June 30
JACKIE STEWART
LETICIA CASTANEDA
Two innovative composers interact with the unique acoustics of the historic Schindler House: Jackie Stewart aka Oblivia, founding member of the
Portland based free noise collective Smegma, makes a rare solo appearance
and Leticia Castaneda, whose works "revel in a thrift store brutism that
engages the aesthetic of musique concrete with a lo-fi sensibility."
Presented in association with WACK! Art and the Feminist Revolution at
MOCA.
SCRAPBOOK
Saturday, August 25
DAVID WATSON
JESSICA CATRON
Critics describe David Watson's work on highland bagpipes as "the first major furtherance of Yoshi Wada's concept of psychedelic bagpipe minimalism" and as "what Albert Ayler's never-recorded bagpipe side might've sounded like, had he been more influenced by psychotropics than Mary Maria." Originally from New Zealand, and a long time player in New York's avant scene, this is Watson's first Los Angeles appearance. Los Angeles based cellist Jessica Catron occupies many musical microcosms. Whether it is performing the works of James Tenney or the 250+ miniatures written for the Microscore Project with violinist Johnny Chang, Catron uses her instrument to reveal the sublimity of the small. In this rare peformance of her solo work, Catron uses microtonality and microsounds to audibly magnify nuances otherwise lost in the sonic macrocosm.
SCRAPBOOK
sound. at the Steve Allen Theatre
Saturday, July 28
NOISY NIGHT
Noisy Night features eight players from heavy metal and harsh noise, two idioms with rich and similarly subversive histories. Improvisational ensembles will be created using random methods, drawing upon musicians who have not previously performed together but who share an interest in working at the fringes of sonic practice. With Bob Bellerue, Bobb Bruno, David Kendall, Jessica Rylan, David Scott Stone, Shannon Walter and others tba.
CONCERT SCRAPBOOK
WORKSHOP SCRAPBOOK
sound. at REDCAT
Saturday, September 15
IKUE MORI and ZEENA PARKINS
FRED FRITH
Ikue Mori (electronics), Zeena Parkins (electric harp), and legendary guitarist Fred Frith are international icons of modern improvisation. "Phantom Orchard," Parkins and Mori's duo CD of 2004, was hailed by critics as "beautiful and dangerous" and "a joy to experience." Their appearance with Frith is the first time these frequent collaborators will perform together in Los Angeles.
SCRAPBOOKSunday, September 16
STEP ACROSS THE BORDER
Fred Frith joins SASSAS and Film at REDCAT curators Berenice Reynaud and
Steve Anker in hosting a screening of Werner Penzel and Nicolas Humbert's
1990 "celluloid improvisation" featuring the music of Frith and appearances
by Tom Cora, Cyro Battista, Iva Bittova, Arto Lindsay, John Zorn and many
others.
sound. 2007 is co-curated by Cindy Bernard, Jeremy Drake and Kathleen Johnson; produced by SASSAS.
The Society for the Activation of Social Space through Art and Sound (SASSAS) is supported in part through grants from the City of Los Angeles Department of Cultural Affairs, the Foundation for Contemporary Arts, the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, Meet the Composer, the West Hollywood Arts and Cultural Affairs Commission, a special donation from Amoeba Music and the generous contributions of our members. For further information on SASSAS: www.sassas.org or contact us at 323.960.5723.
Contribute to SASSAS at the $50 level and receive discounts for sound.
Special thanks to Channa Horwitz for the use of her drawing on the 2007 poster and website.
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