SCRAPBOOK
sound. at the Schindler HouseSaturday, August 16, 2008
JOZEF VAN WISSEM
AERO MIC'D
Composer and lutist Jozef van Wissem first attracted attention by deconstructing Renaissance lute music. He has since applied retrograde, palindrome and Burroughs' cut up techniques to further abstract the canon as he builds "a time bridge which links the 17th and 21st centuries". Dubbed the “Anton Webern of the electronica underground” by The Wire, San Francisco sound collagist Aero Mic'd fuses turntable aesthetics and musique concrete with the studio tradition of ambient music. The result is petite yet dense "noisette miniatures" which captivate and intrigue.
Aero Mic’d (Wayne Smith, Cliff Hengst, Scott Hewicker)
Aero Mic’d (Wayne Smith, Cliff Hengst, Scott Hewicker)
Aero Mic’d (Wayne Smith, Cliff Hengst, Scott Hewicker)
Aero Mic’d score
Jozef van Wissem
Jozef van Wissem
Jozef van Wissem
Jozef van Wissem and Aero Mic’d collaboration
Photographs by Wild Don Lewis
sound. 2008 is co-curated by Cindy Bernard, Jeremy Drake, Danny Gromfin, Joe Potts and Tom Recchion; produced by SASSAS.
The Society for the Activation of Social Space through Art and Sound (SASSAS) is supported in part through grants from the City of Los Angeles Department of Cultural Affairs, the Foundation for Contemporary Arts, the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, the West Hollywood Arts and Cultural Affairs Commission, a special donation from Amoeba Music and the generous contributions of our members. For further information on SASSAS: www.sassas.org or contact us at 323.960.5723.
Contribute to SASSAS at the $50 level and receive discounts for sound.
Special thanks to Djego Padilla, graphic design for the 2008 website (email).
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